poet | editor | teacher
Thank you to the editors of Conduit for publishing “A Pond I Found for Us,” a poem from my second book manuscript, in issue 32 of the magazine— it’s exciting to be in the company of so many writers I admire.
You can snag a copy for your nightstand online here, or you can request it through your local bookstore or library.
Thank you to the editors of Always Crashing for publishing these four new poems of mine, here:
https://www.alwayscrashing.com/current/2022/4/12/emily-wallis-hughes-4-poems
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An eleven-page poem of mine is forthcoming in their next print issue.
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Sincere thanks to the editors for this cool design and layout!
#printanddigitalculturesintersect #editingarts #secondbookpoems
In their brand new jobs as Editorial Directors of Fence Magazine, Inc., Emily Wallis Hughes and Jason Zuzga are banding together to fundraise for this 501(c)3 nonprofit publisher of nonconforming poetry and prose.
Fence, turning 24 this year, needs you, because without your contribution we may not be able to afford the printing and shipping costs involved in producing the next issues. Fence is fiercely independent, without any institutional affiliations. We must raise *at least* $50,000 over 2022 to be able to continue to exist. Since its founding in a cold New York apartment by Rebecca Wolff and collaborators in 1998, Fence has brought a wide array of readers and writers together. We aim to fairly compensate our editors and many writers for their literary labor. Please help us out right here on Facebook through the fundraiser we set up on the site.
We are thankful to the generous readers and friends of Fence who have already been able to donate to this urgent effort!
Please help us spread the word, invite a friend to become a Fence reader, and check out our membership model and 2022 goals here: https://www.fenceportal.org/support/
FENCE PUBLISHES:
Fence, a biannual literary magazine, which won the 2018 Whiting Foundation Literary Magazine Award— https://www.fenceportal.org/ (If you aren’t familiar with Fence, come check us out, and maybe you will want to become a subscriber, even a member. We plan to publish and distribute print Issue 40 in June and Issue 41 in December.)
Fence Sounds, free to all— https://www.fenceportal.org/podcast/
Fence’s many free offerings online— https://fencedigital.com, https://fencedigital.com/fence-digital/elecment/https://fenceportal.org/steaminghttp://fencedigital.com/fence-digital/constant-critic/
And books: poetry collections by Rodrigo Toscano and Harmony Holiday, along with the winner of the 2022 Ottoline Prize. We will maintain all of the Fence backlist titles in print: books by Jena Osman, Edgar Garcia, Aaron Kunin, Douglas Kearney, Arianna Reines, Chelsey Minnis and on and on and on. https://www.fenceportal.org/bookstore
Your contribution will make an impact on poets and writers and readers of unconventional poetry, fiction, and other writings, and work in translations, one new section to begin with issue 40. Whether you donate $5 or $500, every little bit helps. Thank you so much for your concrete and intrepid generosity and support. We are profoundly grateful.
Facebook pays all the processing fees for you, so 100% of your donation goes directly to Fence, and your contribution is tax-deductible.
The Mission: Fence is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light.As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color.
You might also want to consider becoming a contributing member at one of the levels at the following link. As a member, you’ll receive a print subscription, the Fence 2022 tote, and other eclectic delights. More info here: https://www.fenceportal.org/support/
Many thanks to the editors of Blazing Stadium for publishing five poems from the manuscript of my second book, The Pond I Found for Us. You can read the poems in Issue #17.
Issue #17 of Blazing Stadium also includes poems by Anthony Madrid, Kyle Schlesinger, Lila Dunlap, Nolan Bibb, Tamas Panitz, Austin Nieli, and Richard Stull.
And Blazing Stadium also publishes pamphlets!
On Saturday afternoons from September 25th through November 6th, I’ll be teaching a Contemporary Practice poetry workshop with Brooklyn Poets.
Here’s the fun trouble we will be getting into. It’s called “Self, Nature, City”:
“All poetry is collaboration,” writes Matthew Rohrer; Allen Grossman writes, “The person who speaks in lyric is always alone.” Poems are simultaneously social and solitary, external and internal. This is especially visible when poets engage directly with their surroundings, whether natural, urban, or both. In this seven-week workshop, we’ll wander, contemplate and imagine—while together and alone—in public parks, forests, deserts, mountains, oceans, wetlands, city streets, aquariums, suburban nature preserves, lands under restoration, regions burned by wildfires, and more, through live online cams and in person via 3–4 outdoor sessions in Prospect Park. We’ll read poets who engage with nature and city-based environments through their lyric ‘I’: Joanne Kyger, Du Fu, Joy Harjo, Larry Eigner, Evie Shockley, Frank O’Hara, Dg Nanouk Okpik, Patricia Killelea, Geoffrey Nutter and more. Along the way, we’ll question the boundaries of nature and city and consider what it means to write in collaboration with nature as non-human species populations decline in this climate emergency. At the same time, we’ll honor the persistent motivation of the poet to speak into and out of everything, no matter what the time period or current conditions may be. Class sessions will meet synchronously via Zoom every Saturday, save for in-person sessions in Prospect Park for local students (remote students can Zoom in for these sessions). Assignments, poems and critiques will be shared via Wet Ink. [Note: as this workshop intends to meet partially in person, all local participants must show proof of vaccination before the first session.]
You can read a bit more about it here, and even register to join us, if this calls to you.
Many thanks to Cordella Magazine for publishing an elegy I wrote for Joanne Kyger, titled “Mango Lemonade.” The poem is in Issue 13: Rebellion, which is also their first print issue. You can pick up a copy and/or watch a replay of the virtual launch party here. Thank you, Cordella!
Many thanks to Brooklyn Poets for featuring me as Poet of the Week for May 4th – 10th. You’ll find a detailed interview, plus an audio recording of me reading “The Black Forest,” one of the poems in Sugar Factory.
Here are a few places to listen to my recent poems via audio and video:
— NYU Creative Writing Program Alumni Poetry Reading, hosted by Matthew Rohrer, Fall 2019
— Launching Sugar Factory and Sarah Riggs’s Among Friends portraits show, also featuring Eléna Rivera, Rachel Levitsky and Omar Berrada, at Berl’s Brooklyn Poetry Shop, Spring 2019
— Greetings Readings, at Unnameable Books, September 2016
I’m in the process of updating this website (very DIY, I’m not paying anyone to do it) — check back soon if you’d like to see the fresh stuff on your screen. Thanks for stopping by!
I’ve got a poem in Elderly, a little magazine I love.
You can download Issue 21 here. Many thanks to editors Nicholas DeBoer and Jamie Townsend !
Emily Wallis Hughes 